One of the great features of my new Olympus OM-D E-M1X is the ability to use sensor shift technology to increase the image resolution by combining multiple shots. This function is called High Resolution Photo (also referred to as High Res Shot or HRS). The camera takes 8 (in handheld mode 16) consecutive images and moves the sensor by half a pixel between each shot. The 8 pictures are then composited to create the final output. The resolution is 80MP for RAW and 50MP for JPG (when using a tripod) or 50MP for both RAW and JPG when shooting handheld.Continue reading “OM-D E-M1X High Res Shot”
Some camera history to start the week. In my quest to re-enter analogue film photography, I took to eBay to acquire a beautiful vintage Yashica Electro 35 GTN. For the history of this beautiful rangefinder camera and some of my film photographs I took during a test shooting on the Streets of Nuremberg, read the full post.Continue reading “Camera History – Yashica Electro 35 GTN”
The Konica Autoreflex T, launched in 1968, was the first camera with fully automatic exposure control through the lens (TTL). Both features, in their own right, already existed before: the fully automatic exposure control with built-in light meter on the Konica Auto-Reflex, the exposure metering through the lens on the Topcon RE Super / Super D and the Spotmatic series from Pentax. But the combination of both was new. Back then, fully automatic exposure control was a very advanced feature of SLR cameras, other manufacturers were still unable to offer this option a decade later, and until the end of the 1970s fully automatic exposure control was not a matter of course.
For more about this iconic camera and a visual journey around it continue after the jump…. Continue reading “Camera History – Konica Autoreflex T2”
Winter is here for good in the streets of Nuremberg. Temperatures have dropped below freezing and yesterday we had the first snow flurries of the season, even though it didn’t last very long.
But for sure it’s getting a bit uncomfortable when roaming the streets with the camera in my hands. And as the pretty lady with her lap dog in the photo above (taken with my Olympus PEN-F and the mZuiko 25mm F/2 prime lens, specs are 1/180 sec @ f/2 and ISO 200), I’m using gloves to keep my hands warm. The thing is, regular gloves are not very handy when it comes to operating the camera with all the little dials and buttons. And I’m not a big fan of wearing fingerless gloves (what is the sense of having those, when your fingertips are freezing off). But there is something like a hybrid model. A real photographers glove. A glove with which one can simply fold the tips of thumb and index finger to the side.
I found those somewhere on the web last year (searching for photographers gloves), and they are the real thing, after testing them the rest of last winter. The crests are foldable on both gloves, by the way. It is super easy to use, so maximum you have the tips of thumb and index finger cold when leaving them exposed to operate the cam. An essential piece of gear for winter photography, not only for the street shooter.
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Wish you a great Wednesday – and stay warm!
If your loved ones and friends know that you are a passionate photographer, finding birthday presents isn’t all that difficult.
The significant other got me a Lensbaby Trio 28mm f/3.5 lens, that has a rotating head so I get three Lensbaby effects in one lens: Twist, Velvet and Sweet. I wanted the lens badly as I was really inspired by fellow blogger Kaya and her superb collection of Lensbaby photos.
Needless to say I screwed it right on my PEN-F and went outside where I snapped this image (jpg out of camera – no treatment) of our blossoming winter bush against sky and a bare birch tree. I love the bokeh of the lens and really look forward taking the creative possibilities of my new Lensbaby to the Streets of Nuremberg.
The Big Girl and the Big Boy combined forces and gave me an awesome coffee table book called “Bystander”, where editor Colin Westerbeck and famous Street Photographer Joel Meyerowitz document the history of Street Photography from its beginnings until today on almost 400 pages, with a well curated assortment of photographs of all the greats of the genre. This book is a treasure!
My dad gave me a beautiful book on Chinese Street Photographer Feng Li, the “White Night”, a great documentary on life in China.
I also got photographers gloves where you can actually stick thumb an index finger through the foldable tips of the glove (thanks to fellow blogger Tim for the tip).
And another book I read about on the web and put on my wishlist “One Face, Fifty Ways”, ideas for portraits by model Imogen Dyer and photographer Mark Wilkinson.
I’m blessed with awesome people around me, not only because I got all those nice presents.
Have a great Saturday!
The Streets of Nuremberg go sub sea this time. I wanted to share some images I took while snorkeling with my kids on the Spiaggia del Relitto, the Relict Beach, near the village of Pomonte on the Italian Island of Elba. To read more about our little wreck diving adventure and how I took the photos continue reading after the jump…
With today’s post I’m venturing far away from my usual posts around Street- and Travel Photography. But vacation time is not only time for intensified photography around documenting our family trip to Italy.
Holidays means also having finally time for a lot of (photography) related reading of books, blogs and websites to get fresh doses of inspiration. And also having time to try out a few things off your usual beaten paths.
In this case I decided to do some portrait photography with my (more or less willing) family. First victim up was my son Daniel. To see more and learn how this studio-like portrait was taken without help of any flash on a 1m stretch of white wall inside our rented apartment’s bedroom continue reading after the jump.
You have been looking forward to this weekend trip to a fancy city that you always wanted to see. Time is limited, you only have a couple of days. You are travelling with your partner who is not all that much into photography. You don’t want to spoil the getaway by constantly logging behind, hunting for that perfect photo opportunity, that better angle, fumbling with your gear to change to the more appropriate lens.
And besides taking the marquee shots of well-known attractions (and that everybody back home expects from you) you are looking for those special shots that you expect from yourself, because after all your are not after the tourist snap shots, for you are a photographer.
You arrive at your destination, it is great to be there, the sights and sounds are awesome, the food tastes great, you take the “must-have” shots, but photographically you just don’t get into the right groove, into your creative flow. And somehow this frustrates you because your own expectations towards yourself are otherwise and you know you won’t have a chance to get back to this city anytime soon when the photographic circumstances might be better. Sounds familiar? Continue reading after the jump. Continue reading “Little woes of a traveling photographer”
Photographing cars is not exactly related to Street Photography, but at least they drive on streets and are integral part of our daily life. Last weekend I had the chance to attend a workshop with Olympus Visionary Thomas Adorff in the Porsche Museum in Stuttgart, a perk that came with my purchase of an Olympus PEN-F earlier in the year.
So last Saturday I drove over to Stuttgart (90 minute drive from Nuremberg) and met Thomas Adorff and a bunch of Olympus enthusiasts for a day in the Porsche Museum. More about the event and more photos after the jump. Continue reading “StoNur on the Road – Porsche Museum”