A few days ago, Adobe released a new beta version of its popular Photoshop application. With it came the launch of its new artificial intelligence (AI) Generative Fill tool, that has the photographic community humming with excitement. While the web is already full of examples of the incredible power of this tool, I thought I give it my own little try. The result you see above. For the “how” and whether I consider the new AI based feature a photographer’s friend or foe, continue after the jump…
A rainy day in Genoa gives me time to edit my photographs from our recent trip to Seville. I came across this one of the peacock already featured in this previous post. Not only shows this image the prefect camouflage its plumage provides to this magnificent bird in its natural habitat, rainforests. But the photo also demonstrates the things my eyes are constantly scanning for when roaming the streets. I’m always on the lookout for interesting combinations of light and shadows, colors and textures. I’m doing this also when I don’t even carry a camera (which practically never happens, as at least the iPhone and its camera is always with me). This is what I call my daily visual push-ups. In this photograph, it all comes together. Bringing home an image like this after a day of shooting gives me great satisfaction.
Taken with my Leica SL2-S with the Vario-Elmarit-SL 1:2.8/24-70 ASPH. Image specs are 1/400 sec @ f/8 and ISO 200, 70mm focal length. Post-processing (brightening up the shadows) in Lightroom Classic.
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Seville explored – Setas de Sevilla (Mushrooms of Seville) is yet another post about a stunning architectural masterpiece located in the heart of Seville, Spain. Only this time, it is a rather modern structure. Also known as “Metropol Parasol”, it supposedly is the largest wooden structure in the world. Located at La Encarnación square in the old quarter of Seville, it was designed by the German architect Jürgen Mayer and completed in April 2011. For more about the Setas’ history and some more photographs, continue after the jump….
Seville explored – Plaza de España is a post about a stunning architectural masterpiece located in the heart of Seville, Spain. Built for the Ibero-American Exposition of 1929, the plaza is a fusion of Spanish Renaissance and Moorish architectural styles, designed by the architect Aníbal González. More than a thousand workers worked on its construction at the same time. Constructions began as early as 1924 and were completed by architect Vicente Traver in 1928, after Aníbal González resigned as the Exposition’s chief architect. For a mix of more color and monochrome photos, architectural and street shots continue after the jump…
Time to start the photographic recap of our recent trip to Seville Spain. The first post is about an impromptu Flamenco session we witnessed when strolling though the Plaza de Espana. For a bit of background about Flamenco and some more images continue after the jump…
Sometimes the best view is the one looking up. Standing inside Nuremberg’s magnificent St. Sebald Church in the historic Old Town, you see..symmetry. The vaulted ceiling goes back into the early 14th century.
A snapshot taken with my iPhone 14 Pro, post-processed in Lightroom Classic.
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This was what I carried in my Lowepro Passport Sling for a week of street- and travel-photography in Seville. Besides my Leica SL2-S and the Vario-Elmarit-SL 1:2.8/24-70 ASPH standard zoom I brought two additional primes: The TTArtisan 50mm .95 M-Mount (with a Novoflex M to L adapter) “Nifty Fifty” and as telephoto lens a vintage (Made in the GDR) Pentacon auto 2.8 / 135mm MC (with Novoflex M42 to L adapter). Add a spare battery, my cleaning kit and a few of my Street Photographer’s Business Cards. To find out which lens never made it onto the camera and why I didn’t carry a backup-body im my Seville camera bag, continue after the jump….
I’ve received quite a few comments why I’ve been using my iPhone 14 Pro a lot lately, and not the Leica. Well, for one, because it has a great camera and a sensor that captures awesome images, and it is the camera that is always with me. But make no mistake. An iPhone (or any other modern “camera-phone”) will (at least with today’s technology), never be able to compete with a full frame sensor. When walking the streets of Seville I carry the iPhone and the SL2-S. And there are scenes like the one in the title image where I know it was worth lugging a 2 kilo camera/lens combo around. To capture the full tonal range of this magnificent building. And a sunburst to go with it. That’s what an iPhone can’t do.
After a two and a half hour flight, The Significant Other and I safely arrived in Sevilla. What a change in weather. From snowy 1 degrees Nuremberg we arrived in sunny and summerly Southern Spain with 24 degrees. After checkin into the hotel conveniently situated in the old town near the Cathedral, we went out for some Tapas. Continuing our first walk through the alleys, we had the unexpected joy to stumble into the colorful parade of the Bolivian Street Carnival. Continue after the jump for more of this fun event…
With lens in my hand, I capture sights new and strange, Memories to keep.
It’s finally Friday. And I just had to write this little travel Haiku. As tomorrow, The Significant Other and I take to the skies to fly to Spain for a week. Time to leave the never ending German winter behind for a week. The weather forecast is awesome. Camera ready, batteries charged. The Streets of Nuremberg will pay a visit to their counterparts in beautiful Seville. The captured memories will be shared on this pages.
Anyone playing with monochrome conversions in post-processing knows the pondering question: B&W or color? Like I did when looking at this shot of Ascensore Spianata Castelletto, one of the elevators that connect the base of Genoa‘s old town with the higher quarters. From the terrace next to the elevator you have a splendid view across the medieval old town out to the harbor and the Mediterranean beyond. I decided I like the monochrome version better. I think it better fits the elegance of the art deco elevator house. What do you think? Check out the color version after the jump…
With the two-week holiday break behind us, The Significant Other and I returned to the jobs that pay the bills today. But we’re still fueled by the memories we made visiting with friends in the Austrian and Swiss alps and, in between, spending the first days at our new “second home” in Genoa. As decoration for our living room we decided to put up a large photo of Genoa’s historic lighthouse – La Lanterna – printed on a 47×32 inch (120×80 cm) canvas.
One of my favorite images of La Lanterna is one I took back in 2004 during a winter sunset with my first digital camera, a Minolta Dimage A1. Revisiting the image in Lightroom Classic, I realized that the quality of a 18 year old digital photograph might not be up to todays standards, and could be unsuitable for a large scale print. Thankfully, Lightroom Classic offers the possibility to upscale any image to double its original size, so I could increase resolution to a modern 5210×3840. Changing the calibration process (in the development module) from the original V1 to the current V5, I was also able to use the modern day capabilities of Lightroom to clean up the noise in the original photograph and enhance clarity and the colors. Exporting the old image to its 2023 clone, I got a clean 10,4 MB file with 300dpi, perfect for a large print.
La Lanterna, as we still see it today, was built in its current shape in 1543, replacing a previous structure on the same rock. It is the world’s third oldest lighthouse and, for more than 350 years, was also the tallest lighthouse in the world.
