In this episode about our week in NYC I want to take you up to the observation deck of the Rockefeller Center, called “Top of the Rocks”, just a few blocks to walk from Times Square. At 10:30pm there was no waiting line, so after showing our vouchers from the New York City Pass we could directly take the elevator up to the 67th floor, from where we enjoyed first views through glass panels (a bit protected from the cold winds), but then continued on to the open air viewing platform on the 70th floor. For a bit more info and some more photos continue after the jump…. (more…)
Approaching Easter Sunday, The Significant Other and the Kids diligently colored some Easter Eggs. I decided to work on a photographic Easter Egg for myself, trying a technique I read about on the web but have never explored so far. For a bit of how to continue after the jump…. (more…)
Photographers are similar to children. They wander the world totally open-minded, use the creative tool in their hands to try out new things, finding new and creative ways of capturing light onto their sensor. Digital photography sometimes reminds me of kids using crayons and paper to ban their thoughts and fantasies onto paper. It doesn’t cost much, nobody confines their creative process. There are no limits to the creativity of children. Children love to experiment. And sometimes, they achieve interesting results just by accident.
This is what also happens to photographers. I love to experiment, try out new ways of producing art with my camera. Not necessarily art in the sense of intending to make money with it, but art that I personally find visually pleasing and that makes me go to bed with a content feeling of having achieved something to satisfy my creative aspirations. And sometimes, just like with children, things happen by accident.
I just came out of a department store where I shot shoppers moving up and down escalators with a low shutter speed of 1/15 sec to achieve some motion blur effects. Coming out of the store into bright sunlight I forgot to switch back to P-Mode after shooting with shutter priority. So my shutter speed was still 1/15 sec. Chip in the fact that the whole day I was shooting unintentionally with ISO 3200, I was way above correct exposure of the backlit street scenery that I wanted to capture outside the store in bright daylight. After I took this image of shoppers standing in the sun in front of the reflective storefront windows, I checked the results on my LCD screen, saw it was way overexposed, realized my mistake, dialed in P-Mode and retook the shot, now correctly exposed.
But only later, when downloading the taken photographs to Lightroom Classic CC, I realized that I much more like the x-ray style shot I took completely unintentional and by accident by shooting way overexposed with 1/15 sec @ f/22 and ISO 3200. And which gave me the blueprint to in the future go out and intentionally go after similar effects.
This is what I love so much about photography, the infinite possibilities of endless creativity, be it accidentally or intentionally.
For all my tips and inspirations around photography check out my Learning Center.
Have a great week!
We are on to Day 5 of Cassia Denner’s 10 Day Photography Challenge, with today’s theme being “Something I bought”. I have to admit I had no time to be overly creative today, with the job that pays the bills kept my away from my camera all day. But I decided to enter this quick iPhone shot of one of my photo book shelfs, together with a little message that is important to me.
No new camera will make you a better photographer. It might increase your motivation to go out shoot more for a little while, bring out a temporary boost in creativity, but eventually the thrill of the new gear will wear off. It always does.
Studying the work of the masters will make you a better photographer. Also studying the theoretical and technical aspects of photography. There is so much to learn and understand about photography. I’ve bought many pieces of gear that I rarely use, but I have never regretted investing in photography books. It just is an enriching experience to sit with a photography book and a good cup of coffee, study and reflect on it.
Thinking about this Day 5 task also inspires me to compile a list of my photography books I own and treasure. I just need a bit time to do it. So look for it on the Streets of Nuremberg and in my free Learning Center, where you find all my tips and inspirations around photography.
Have a great week!
Street Photography Quick Tip 14 – Shoot upwards and tilted for more dynamic street portraits
After a race across the nightsky (our flight arrived a whopping 70 minutes ahead of schedule) I’m back in Europe at Amsterdam’s Schiphol Airport and waiting to board the plane for the last leg of this trip back to Nuremberg.
But as we came in early, this gives me time for episode 14 of my popular Street Photography Quick Tips, my short, easy to read and easy to use tips that I think could help you while shooting in the streets.
Most people shoot their portraits from eye-level. And if you get the eyes sharp, have the subjects turn their heads slightly upwards and to the side, you should get great results. But if you want to get your street portraits a more eye catching touch, shoot from a lower angle, and you can even tilt your camera a bit to give your image even more dynamic.
Talk to your subjects, ask them an open question, like what they wanted to become when they were a child, or what would be the destination of their dream, vacation. When the start talking, they relax, which can give you the opportunity to take great candid shots.
Obviously, this tip applies not only to street portraits.
For more Street Photography Quick Tips and inspirations around photography in general check out my free Learning Center.
I wish you all a great weekend!
No, you don’t have to worry about my mental well being, with all the high contrast monochrome photographs I’m posting lately. I’m perfectly fine and there is plenty of sunshine in my heart. It’s just that I more drawn to black & white work these days.
So I’m using the first “Weekly Photo Challenge” of 2018 to add some more monochrome images to this blog. The title is “growth“. The only things that are growing these days in our house are the tulips I got from my wife as birthday flowers, and the Amaryllis she planted in December and that are growing splendidly.
As with my limited time I didn’t get into town for some street photography, I did a little setup on our living room table, using a black cardboard as background, positioning flowers in front of it and using a movable desk lamp to shed some direct lights on the flowers. Then I snapped away with my PEN-F and my 14-150 F/4-5.6 zoom, shooting at 1/100 sec, f/5.6 and ISO 200. Easy setup, great results. Monochrome conversion done in Lightroom Classic CC. For the rest of the photos continue after the jump…. (more…)
As I wrote in a previous post, there are two ways to approach Street Photography. You can actively “hunt” for an interesting image to happen, for example following an appealing subject until it enters the right background scene. Or you come across a background that catches your eyes first. Then it is a matter of you waiting for the right subject to enter the scene to get the photo you are after. I call this the “gathering” approach.
This was the case when I saw this colorful mural in Portland. I loved its shape and dynamic, and its colors that really came to life during the blue hour of this late Saturday afternoon. I really wanted to capture it in a street photo, but taking a photo of a mural by itself is a bit lifeless without a foreground that adds interest.
I was with my PEN-F and the 12mm F/2 prime lens, which limited myself to this composition, as I had to stand between to parked cars half on the street to have mural and sidewalk filling my viewfinder. A frontal position would not have been possible as due to the lens being very wide angled, I couldn’t stand behind the car parked in front as the roof would have blocked the lower part of the mural.
Then it was a matter of waiting in the freezing cold wind for passing people, and there weren’t to many around. The first that passed came in groups, blocking the mural, then people passed on my side of the sidewalk, with only their top half visible in the frame, also blocking the mural. I needed someone to pass close to the wall, so I could capture the whole person in front of the big face behind him.
With this guy I finally got lucky (after about 15 minutes and a few unsuccessful shots), as he passed close to the wall, and I managed to capture him in full stride, always something I look for when pressing the shutter. Perseverance paid off once more.
Have a great Tuesday!
In time for the weekend here is episode 21 of my “Instant Inspirations”, my series for you if you look for something to overcome “Photographer’s Block” or simply want to shoot something that you have never tried, or at least not recently.
Not every photo you take needs to make perfect sense. That is, making perfect sense to the outside world. It only needs to please you, make you happy. If someone else likes it, that’s a bonus.
That said, you are not limited to taking “conventional” photos of people, landscape, architecture etc…shoot it all! Whatever visually stimulates you, take a photo of it. Don’t be shy, the limit is only defined by your own taste. Try things out! Let interesting colors, shapes, textures and juxtapositions that catch your eye get your creative juices flowing. Be a visual artist. Go out and experiment and have fun! You only need to please yourself!
The “Hands” shot above I took last night with my iPhone while at dinner with two of my awesome colleagues here in Portland. We were enjoying a fab dinner in a Peruvian restaurant (Andina) in the Pearl District. We were sitting at a copper plated table, and while enjoying wine and great talks I observed my friend Anton lay out the shape of his hand with the chips of the cork from our wine bottle. The mixture of colors, shapes and textures really triggered the desire to take out my iPhone and capture that for my eyes visually appealing scene. Just for myself. And this is what I did. It was my creative moment on an otherwise quite unnerving day of project work, and it made me happy. And this is exactly what photography does for me.
For some more examples of random creativity and links to previous episodes of “Instant Inspirations” continue after the jump….. (more…)
For all my free tips and inspirations around Street Photography visit my Learning Center
A street photographer’s dialogue:
Street Photographer: “Excuse me, can I make a portrait of you?”
Subject: “Ahm…yes…yes, generally yes….but why?”
Street Photographer: “I’m a street photographer from Nuremberg, I like to document everyday life in the streets and meet interesting people, like you!”
Subject: “Ok, that’s interesting, but why did you pick me?”
Street Photographer: “Oh, I like your style. And you radiate a kindness that I like to capture. Great smile!”
Subject: “But I’m eating….it will look stupid, what shall I do with my box?”
Street Photographer (already snapping away): “Don’t worry, you look great, I’ll show you in a second!”
Subject (quite relaxed): “Ok, can’t really imagine that.”
Street Photographer, showing the back LCD of the camera: “Check it out, I really like this photo. Great street portrait of you!”
Subject (smiling): “Yes, it really is a nice picture. What are you gonna do with it?”
Street Photographer: “I have a street photography blog, where I post some of my photos. Would you mind if I post yours?”
Subject: “No, that’s ok!”
Street Photographer (smiling): “Here is my card with my website, check it out if you like. Thanks for letting me make your portrait, was great talking to you! Have a great day!
Subject (smiling): “Well, you too”
Street Photographer and subject continue their ways…..
Have a great weekend!
“Experimental” is the theme of the Weekly Photo Challenge from Word Press’ The Daily Post for this week. When I experiment with my Street Photography, I often use slow shutter speeds of 1/8 sec or less for creative motion blur effects. There is a lot of hit and miss with this technique. Crucial for an image that works is an interesting background in which to place the blurred objects, like this entry to a Berlin subway station.
This shot I took with my Olympus PEN-F and the mZuiko 12mm F/2 prime lens with a shutter speed of 1/3 second for intensive blur, an aperture of f/9 to have ample depth of field and ISO 1000. I took the shot handheld, another example how effective the image stabilization system of the PEN-F is.
Experimenting with slow shutter speeds is fun, it can be applied to moving persons, moving traffic or a combination of both. For some more of my experimental street photos continue after the jump… (more…)