Street Photography Quick Tip 10 – Using Photographic Obstacles
My Street Photography Quick Tips are short, easy to read and easy to use tips that I think could help you while shooting in the streets. Today’s post is about using photographic obstacles to your advantage.
Have you ever found a parked car blocking that perfect view in a city you visit? Well, you can try to walk around, but sometimes that won’t help because the nice perspective disappears or there is another obstacle blocking your view.
Well, as simple solution can be: Use it to your advantage. Include it in the composition. It just might made an otherwise boring composition all that more interesting. In this case I included the front window and the roof of a parked car als reflection surface while taking this shot in Nuremberg’s historic Old Town below the Imperial Castle.
Try it yourself! Don’t be frustrated with this stupid obstacle, accept the challenge and have fun!
Find all my other Street Photography Quick Tips in my new free Learning Center.
Sometimes I show you something on the “Streets of Nuremberg” that is outside the usual scope of my posts about street- and travel photography. During May natures just pops (pardon the pun 😉 ). Lush green and bright colors everywhere. But often the weather is still inconsistent, with many cloudy days. These conditions are actually perfect for some flower photography using a zoom lens. For more photos and some how-to continue after the jump… (more…)
Today my new Learning Center went online on the “Streets of Nuremberg”. This is how I want to call my one stop resource pool where you can find quick access to all my free tips, tutorials, inspirations and everything else that I want to give back to the community that gave me so much!
The Learning Center is directly accessible from the top menu of this blog, and here you find the links to all relevant posts listed under certain categories like “Street Photography Quick Tips” and “Instant Inspirations”, “Gear and settings” and some more.
The Learning Center will be constantly updated, so check back regularly! Have fun browsing!
I hope you like my latest attempt to enhance your experience with the “Streets of Nuremberg”.
Ocean Dreams | South Africa | 2015 | 1/4 sec @ f/5,6, ISO 1000 and 300mm focal length
In time for the weekend here is another edition of “Instant Inspirations”, my series for you if you feel you suffer from “Photographer’s Block” or simply want to shoot something that you have never tried. Or at least not recently. With Episode 15 I encourage you to keep the camera out after sunset, leveraging the low light to achieve slow shutter speeds without the help of ND filters. But unlike in Episode 14, I leave the tripod at home because I want to combine motion blur with a bit of intentional camera movement (ICM) to create dreamy waterscapes at the wild coast of the Indian Ocean at Tsitsikamma National Park in South Africa. For the how-to, more images and links to all previous editions of “Instant Inspirations” continue reading after the jump…. (more…)
Rushing after the subway bird | Nuremberg | 2016 | 1/6 sec @ f/3,2 and ISO 200
Street Photography Quick Tip 9 – Motion Blur
As you already might have learned from the last edition of my Instant Inspirations (“Instant Inspiration (15) – Long Exposure Waterscapes”) , recently I just love to play with longer shutter speeds and the effects you can generate with it. So with the ninth episode of my “Street Photography Quick Tips” I apply this technique to shooting everyday life in the streets. For more how-to and inspirational photos continue reading after the jump…. (more…)
During last weekend’s trip to the Oregon Coast I took some photographs that due to the high contrasts within the composition, I thought would look good converted to monochrome. When shooting with B&W already on my mind, I typically set my camera to a monochrome preset (most modern cameras have that feature). So when composing, I’m looking already at a monochrome image in my viewfinder or on my LCD screen. This helps me judging the impact of light and contrast before pressing the shutter. Maybe this is not the right approach for a purist, but I gladly take this as a great supportive feature of modern cameras and is as helped me discover the fun in B&W photography. For more monochrome coastal images and some more thoughts around it continue reading after the jump…. (more…)
Columbia River | Oregon | 2017 | 8sec @ f/16 and ISO 200, ND3
Inspired by some photos I took during last weekend’s trips around beautiful Oregon I found it is time for another “Instant Inspirations” post. This is my series for you if you feel you suffer from “Photographer’s Block” or simply want to shoot something that you have never tried. Or at least not recently. With Episode 15 I want to inspire you to go out and shoot long exposure waterscapes. For the how-to, more images and links to all previous editions of “Instant Inspirations” continue reading after the jump…. (more…)
Yesterday I did a nice tour from Portland, driving up along the Columbia River to Astoria where the mighty river flows into the Pacific, then down the coast to Cannon Beach and finally back to PDX. All in all I was 14 hours on the road. The weather was very oregonic, starting with pouring rain along the river, turning to a sun / show mix on the coast and eventually finishing in a nice sunset. I will need to hit the digital darkroom over the next days to look through my images, but I’ll show you a first photo from the mouth of the Columbia River, where a mighty, 4.1 mile long bridge takes Route 101 across and connects Astoria in Oregon with Megler in Washington State. It opened in 1966. The south part has a 200 ft clearance so oceangoing ships can pass on their way to the upstream harbors of Portland and Vancouver.
I took this long exposure image from the Cannery Pier just west of it. To smooth out the water and clouds I dialed in a 13 second shutter speed, closed aperture down to f/20 and used the lowest ISO of my PEN-F. To avoid overexposure I had attached my Haida ND3.0 neutral density filter, essentially a piece of darkened glass that reduces the amount of light hitting the sensor by 10 stops, the only way to achieve these long shutter speeds in bright daylight. The camera was mounted on a tripod and I used the Haida ND3.0 filter.
I converted the RAW file to monochrome in Lightroom CC, using a monochrome preset as a starting point and then mainly adjusting the gradation curves.
You will get to see more of this trip in the next days. Today will be all rain and I haven’t decided if I drive up to the Columbia Gorge to see the waterfalls.
Street Photography Quick Tip 8 – Capturing Gesture
Time for another of my Street Photography Quick Tips. One of those short, easy to read and easy to use tips that I think could help you while shooting in the streets. Today’s post is about capturing gesture. Don’t just capture people walking with arms hanging at their sides or with expressionless faces. Gestures can convey strong emotions in your photographs. If you want to find out more, continue reading after the jump…