April 2025 • Streets of Nuremberg

Family eating ice cream one a rainy day — 1/250 sec | f/6.3 | ISO 6400 | 175mm

Are you kidding me? Eating a frosty ice cream on a cold and rainy day? Not for me, anyway! Spending the last week in our Southern Home in Genoa, The Significant Other and I were not blessed with the sunny and warm Spring weather you would expect from Italy. In fact, back in Nuremberg the weather was great all week with summer like temperatures.

Despite the wet weather, we headed into town a few times to run errands and treat ourselves to some great food. Having taken the Nikon Zf with me, I captured this mother and her kids enjoying some Italian ice cream, albeit a frosty one. Maybe they were visitors coming to town from one of the Cruise ships in the harbor. And felt they had to do it. At least they provided an awesome street photo subject, matching perfectly the image visible behind their backs. Quoting Shakespeare once again: “All the world’s a stage, and all the men and women, merely players”

Tonight, we will return to the Streets of Nuremberg to celebrate Easter with the family.

If you are looking for tips and inspirations around street photography, head to my free Learning Center.

Have a great day Saturday

Marcus

Ice Ice Baby

Promise to myself

Weekly Photo Challenge: Ascend

Say Cheese

Street Portrait of a bearded old man — 1/400 sec – f/5 – ISO 200 – 100mm

Photography literally means „drawing with light“. The sun is the principal lightsource out in the streets. But unlike a studio lightstand, you can‘t move the sun around to direct the light to where you want/need it. Obviously there are some workarounds, like using a reflector to throw back the light on the subject and brighten up the shadows. But in street photography, this is not practical and we need to shoot with what the sun gives us.

In this example, I was drawn to the weathered face of the man sitting behind the window of a coffee shop. The way he was sitting, the sunlight illuminated the back and the side of his head, but not his face, that was all in the shade. For one, standing outside in the streets, I couldn‘t direct my subject to turn his face in a way that would have, lets say, created a nice Rembrandt lighting effect (a triangle of light underneath the eye on the shadow side of his face).

But on the other hand I loved the textures in his hair and beard that the harsh sunlight created. And I knew that a conversion to monochrome would really bring out the lights and shadows of this scene and still show the traces of life in his face. So despite the lighting being not ideal, I still took the portrait shot with which I‘m quite happy the way it turned out.

If you are looking for more street photography tips, check out my free “Learning Center”.

Wish you a great Monday!

Marcus

Nocturnal Street Photography

Street Photography Below Street Level

Street Photography Quick Tip (13)

I conquered my fears