Today is Ascension Day, in Germany traditionally the Fathers Day and also a national holiday. Traditionally, it is also called gentlemen’s day (Herrentag). It is a tradition for groups of males (young and old) to do a biking or hiking tour with one or more small carts pulled by manpower.
I’m sure you know the feeling. You’re looking at one of your photographs that you actually like – but wonder if you should have taken it in a slightly different way. With different settings, different composition or in a different light.
I know I’m neglecting my blogging, but life is kind of crazy these days. But not only my writing is affected, I also haven’t had time to go out shooting in what seems a lifetime. That said, I still try to capture at least one image a day. I even have embarked on a couple of 365 challenges but never finished one. But sometimes it just hits me, and I pull out whatever camera I have with me (and if it is my cellphone) and look for something to shoot. And if it is capturing legs in the subway. Who cares. A small visual pushup. And a satisfied feeling after. There are better days ahead!
When have you juggled yourself in the air lately? Isn’t this a perfect fitness program to get yourself into shape for for those upcoming beach days?
A fun part about street photography is playing with perspective. Like in this image from Chicago’s Millennium Park. Taken with the Olympus OM-D E-M1X and the mZuiko 12-100 f/4. Image specs 1/200 sec @ f/4 and ISO 200, 75mm foval length.
After a truly nice long Easter weekend and great times with friends and Family it is back to work, but at least on a short week. I took this photograph during my recent subway photo walk with the Nuremberg Instagramers (detailed post is coming up). I experimented with long shutter speeds to capture the motion in the passengers exiting the train. One second proved to be the best choice, as I got interesting effects from the moving people while retaining clarity and texture in their bodies. Also, the one second handheld exposure allowed me to capture a sharp train as background. The diagonal lines, the layered people and the motion blur effects add compositional interest and depth, making this image work. Taken with the Olympus OM-D E-M1X and the mZuiko 12-100mm F/4.
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Life is really in overdrive these days, with the job that pays the bills clearly in the drivers seat. The little free time I have is filled with post-production work of the various photo-shooting specials I’ve squeezed in the last weeks. And I have another busy weekend ahead, before heading once more across the pond coming Monday for a short trip to Chicago. And then I’m looking forward crossing the finish line for a long (and free) Easter weekend. Until then my life will really be in a rush.
I’m sure you have witnessed those situations, where people wanting to take a portrait of someone else place their subject to have the sun shining directly onto them. Because it looks nice. Objects look sharp, crisp and colorful when the sun shines on them. That’s definitely valid for landscapes, buildings and stationary things. It’s less favorable for human beings. Because they tend to squint when facing the sun, and you get unfavorable shadows in their eye sockets, especially when the sun is high.
Everyone knows that well-traveled roads wear down over time. They develop cracks, then the first potholes appear. Work crews are deployed to patch up the superficial damages. Traffic continues to roll. Then you notice larger surface alterations. And you realize, that the road has a damaged foundation. And you need to do a larger reconstruction, totally removing the old road surface, fix the foundation and then apply a totally new pavement. If you are curious how this analogy applies to the Streets of Nuremberg, continue reading…. Continue reading “Forced road work ahead”→
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