There are those days where you think about past memories. Good or bad, joyful or sad. Happy or frightful. Memories are something that define us, that we live on, that no one can take away from us.
This photograph was taken at Värska Farm Museum near Tallinn during our visit there a year ago. The scene had black and white written all over it when I saw it. Taken with the Olympus OM-D E-M1X with the mZuiko 12-100mm F/4. I was spot-metering on the midtones on the wall, in order to capture the best dynamic range. Postprocessing in Lightroom Classic and Photoshop (I had to clone out a rope that blocked the entrance to the door).
I have no idea if the guy staring into his cellphone was checking the weather. But a weather check for the Streets of Nuremberg would have shown a cold front passing through today, with heavy rains and a significant drop in temperature. Was definitely time for a warm jacket for everyone out and about.
I was playing around with my Elmarit F/2.8 90mm on the Leica M. Image specs 1/125 sec @ f/4 and ISO 3200. The high ISO is not a problem for the M, and the monochrome images directly out of camera are quite beautiful. The backdrop shows the historic Heilig-Geist-Spital with the River Pegnitz passing underneath.
From a distance – wasn’t there this song by Bette Middler? It’s the core theme of these days, with countries slowly returning to the “new normal” and people trying to find the right balance between staying safe and the necessity of somehow have to carry on with their daily lives.
This photograph of a mother and her child was also taken from a distance. I was standing on the balustrade above the “Liebesinsel” (Island of Love), a small island in the River Pegnitz in Nuremberg’s Old Town.
I carried the Leica M with the 35mm Summicron, which automatically resulted in getting lots of negative space into the composition as I was pretty far away and the bannister prohibited me from getting any closer. Visually I also like the yellow and blue colors in the garments of the child and mother, repeated by the willow above them. The whole photograph has this warm tone. The vertical and diagonal lines are also strong compositional elements, as well as the little triangle the mother and child are forming.
And then there is the inevitable question of the story that happened down there between the two, what is the gesture about, the mom leaning down to her child, the arm outstretched. Every observer can build his or her own little story. The fun in street photography
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Happy Mayday from the Streets of Nuremberg. A strange first day of May it was. Covid-19 lockdown, stormy weather, empty streets – far away from the usual cheerfulness at the start into what we Germans call the “Wonnemonat”. Dearly in need to see something else than our home and the supermarket, The Significant Other and I headed downtown to the Wöhrder See, where the Pegnitz River is dammed to a lake just before entering the city walls.