Sometimes it helps to take a different perspective on otherwise common and familiar objects. To make the ordinary special again. To view things upside down. Also in Street Photography. These are reflections of Nuremberg’s Sankt Lorenz Church and of a Bratwurst Hut on the wet cobblestones of the Karolinenstrasse.
I photographed this puddle reflections with down on my knees in pouring rain to the amusement of the passing shoppers who must have wondered about this crazy guy who took photos of a puddle.
Using the LCD back screen to compose the shot, I also could have turned camera upside down. But instead of generating even more curiosity in my onlookers, I rather flipped the image later on in Lightroom. I also worked a bit with curves, increased saturation and clarity to bring more life into this image from a very dull day.
And to show a very common and popular sight of Nuremberg in an unusual perspective. By viewing things upside down
For more tips and inspirations around street photography, head to my free Learning Center.
“All the world’s a stage, and all the men and women, merely players”, said William Shakespeare once. It’s also the motto of this blog. This monochrome street photograph is yet another example of it.
Roaming the Streets of Nuremberg with camera in hand, there is always a new background to discover, like this mural, a perfect backdrop for passing people. My stage on this Saturday morning. I did set up the camera and then merely waited. For people entering the scene.
I took quite a few shots. I rarely nail it with the first one. My favorite was this one, of the man passing with his white shopping bag. The juxtaposition of the funny face of the cartoon figure painted on the wall, looking up at the (smiling) bird, and the passing man with his bowed head, looking down. If he’d looked right instead of down, maybe the mural would have cheered him up a bit. All the world’s a stage….and we street shooters capture the stories.
Taken with my “leftover” Leica, the vintage, 13 years old Leica M Type 240 that I keep for sentimental reasons, after having divested the SL2-S that failed me so badly. The lens was a Summicron 35mm F/2. I’ve used zone focusing here, pre-focusing the lens at f/8 so that everything between 2 and 10 meters away was in focus. Increased the ISO so I got a minimum shutter speed of 1/250 sec to freeze the action.
If you are looking for tips and inspirations around street photography, check out my free Learning Center.
Curious about the story unfolding in this image? This is exactly why Street Photography captivates me —it’s all about reading between the lines. What was my subject doing in the moment that I captured with my lens? This shot illustrates it perfectly. What is this taxi driver reading? A personal letter? A handwritten deal? Just some quick notes? In an era where everyone is glued to LCD screens, this feels refreshingly different. Be curious. Look at life happening in front of your eyes.
Next time you’re out in your city, challenge yourself to capture a moment that sparks curiosity. You don’t need a fancy camera—your smartphone will do just fine. Keep an eye out for those intriguing scenes that happen everywhere in every moment. Whether at the grocery store or on a busy street. Even when you don’t have a camera in hand, you can train your eye. Look for that one shot that makes people stop and wonder about the story behind it.
If you are looking for more tips and inspirations around street photography, check out my free Learning Center.
Another one from the last weekend’s visit to Genoa’s Museum of Natural History. Wouldn’t these scene be considered ghosting? Maybe the skeletons noticed the Street Photographer behind the glass of a display with stuffed primates. Musesums or exhibitions are great places for some inconspicuous “street” shooting, as people with cameras (or smartphones) would not stand out much. And there are always funny juxtapositions to be captured.
Taken with my Nikon ZF and the Nikkor Z 40mm 1:2 SE, image specs 1/800 sec @ f/2 and ISO 6400, 40mm focal length. Jpg out of camera using the Zf’s default black&white mode that can be quick-selected by a dial on top of the camera.
If you are looking for more tips and inspirations around street photography, check out my free Learning Center.
Regular readers should know that I have a hang for street photography in museums. And that where I run across skeletons on display, try my best to have them “interact” with the visitors in front of the displays. Like in this snapshot taken yesterday, when The Signifcant Other and I visited Genoa’s Museum of Natural History. Creepy? No, not really. Come one, after all they are just a bunch of skeletons on a casual observation of people passing in front of the glass cases. Or not? Well, as long as it is not yet Night in the Museum 😉
Taken with my Nikon ZF and the Nikkor Z 40mm 1:2 SE, image specs 1/30 sec @ f/13 and ISO 6400, 40mm focal length. Some post-processing (mainly cropping) in Lightroom Classic.
If you are looking for tips and inspirations around street photography, check out my free Learning Center.
I haven’t done an Instant Inspiration post in quite a while. I have written already about Wabi-Sabi, which celebrates the beauty of perfect imperfection. There’s another Japanese concept, that’s been on my mind lately—Ichigo Ichie (一期一会). It loosely translates to one time, one meeting or once in a lifetime. The idea? Every moment is fleeting, never to be repeated in quite the same way. And because of that, we should embrace it fully, be present, and take it in before it slips away. For a photographer, this philosophy is everything. Continue below for Episode 33 of my Instant Inspirations, my series for you if you look for something to overcome “Photographer’s Block” or simply want to shoot something that you have never tried, or at least not recently.
With the Leica finally back in my hands after this long and frustrating ordeal, there was only one decision left to make. And it was an easy one.
I will sell the SL2-S.
Not because I need the money. Not because I lack appreciation for the legacy of the Leica brand. But because I simply cannot trust this camera—or this company—ever again. The repeated failure of the SL2-S, the arrogant and dismissive handling of my case by Leica’s customer service, and the condescending physics lecture that came with my repair invoice have sealed my decision. I refuse to own a camera that I feel the need to constantly second-guess. A camera that, despite its premium price and supposed professional-grade engineering, has failed me twice in critical moments. A camera that has left me with more frustration than joy.
And with that, I will leave Leica behind. For good.
I have been a passionate photographer for years, and in that time, I have used cameras from various brands—Nikon, Fujifilm, Olympus—without ever experiencing this level of unreliability and poor service. Those cameras have been true workhorses, tools I could count on no matter the conditions. I never had to worry about them suddenly failing in the middle of a vacation, a client shoot, or an important moment. I never had to brace myself for a repair saga that dragged on for months, only to be met with corporate gaslighting.
Leica likes to present itself as a brand of excellence, a brand built on heritage, craftsmanship, and a close relationship with its customers. My experience has been the exact opposite. What I’ve encountered is a company that refuses to take responsibility for repeated hardware failures, treats its customers with skepticism rather than support, and hides behind technical jargon instead of standing behind the reliability of its products.
The SL2-S is now repaired, but I will never put my trust in it again. And I will certainly never buy another Leica camera. Some brands earn their reputation. Others merely trade on nostalgia while failing to live up to it.
Leica, for me, belongs firmly in the latter category. And this is the end of my journey with Leica.
Walking into the city the other day, I was quite surprised to see an ice skating rink on the Main Square in Nuremberg’s Old Town. And many people, old and young, obviously enjoying themselves. An awesome opportunity for some low light street photography. Ice Ice Baby….
Visitors of Palazzo Angelo Giovanni Spinola are under divine observation by this antique marble statue of a roman god. The palace of a Genovese noble man was completed in 1576 and is part of the UNESCO World Heritage, together with the other magnificent palaces in Genoa’s Via Garibaldi.
I took this street photograph with the Fuji X-T2 and the Fujinon XF18-135mm F3.5-5.6 R LM OIS WR. RAW processing and conversion to high contrast monochrome in Lightroom Classic.
If you are looking for tips and inspirations around street photography, check out my free Learning Center.
Up was the motto of the day! We went up the map, driving from Genoa north (up the map ) back to Nuremberg. The drive was uneventful, and even going up San Bernardino pass in Switzerland while crossing the Alps was on clear roads under a blue sky through snow capped mountains.
“Up” is also the name of the heartwarming Pixar movie about an elderly widower, Carl Fredricksen, who ties thousands of balloons to his house to fulfill his late wife’s dream of adventure. Obviously the four balloons of the “balloon man” in Genoa’s Porto Antico are not enough to make him levitate. But the balloons will be the perfect segway into my next post, that will be about a little mountain village on the Ligurian coast that has made balloons its claim to fame.
This street photograph is a snapshot taken with my iPhone 14 Pro with some post processing in Lightroom Classic.
If you are looking for some tips and inspirations around street photography, check out my free Learning Center.
The Significant Other and I are spending the first days of the year in our “Southern Home” in Genoa. Yesterday afternoon we walked from our place into the historic center to see the exhibition of Genoa born photographer Lisetta Carmi in the Palazzo Ducale (will do a separate post about the exhibition). Her black & white street photography work is really inspiring, and as I was with the Fuji in the Centro Storico, I dialed in the ACROS film simulation for some monochrome shooting of my own. For the resulting images (all jpgs out of the camera) continue after the jump….
Nuremberg’s historical Christmas Market has been closed for the year on Christmas Eve. But there is still time to share some street photographs I took at the “Schaschlik-Bude”, were the staff was working hard and all smoked up to prepare little meat skewers that were one of the culinary attractions of the market.
Fore some more images of the steamy food stall continue after the jump…
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