The other week in our Southern Home in Genoa, I woke up in the middle of the night and noticed something different in the room. The full moon was shining through the bedroom window. I was immediately intrigued by the scene, the light kind of magic, the textured curtains casting soft silvery shadows onto the bed. It felt simple but special. I had to get up and grab my iPhone 14 Pro to capture that moment. Sometimes, the best scenes are the ones you almost miss.
Taken with my iPhone 14 Pro with the built in dark monochrome filter. No post-processing.
Yesterday, The Significant Other and I visited the fantastic exhibition of dutch painter Anton van Dyck in Genoa’s Palazzo Ducale. After, we went for some errands in Via XX Settembre. And while the wife went into a clothing store, I stood under the arcades of La Superba’s principal shopping mile, snapping away at the passing faces of the street. I used my Fuji X-T50 and the Fujinon Super EBC XC 1:2.8-4.8/16-50mm R LM WR. And what can I say, the tiny camera/lens combo basically went unnoticed by the passing people. To see more images from a 15 minute stretch of street photography, click “read more”…
Street Photography is also about capturing juxtapositions. Like a girl having too many legs. I snapped this image with my iPhone 14 Pro one the steps of San Lorenzo Cathedral in Genoa. Click “read more” to see it from your slightly different angle.
The Lion never sleeps. Neither does his marble companion on the other side of the grand stairs leading up to Genoa’s San Lorenzo Cathedral. The silent sentinel just lies there, watching the threshold and people come and go. Somehow it also feels welcoming, inviting passersby to lean against it or climb up and sit for a moment. My kids did exact that when they were little, turning the ancient guardian into a temporary playground companion. The pedestal beneath the beast is hardly empty. There seems to be always someone sitting there, resting, watching other people or, like in this case, checking whatever on the cell phone.
I took the image with my Nikon Zf and the Nikkor Z 24-200mm f/4-6.3 VR. Specs are 1/160 sec @ f/6 , ISO 400 and 60mm focal length. Monochrome jpg out of camera.
Today is Befana, as the Feast of Epiphany is called in Italy. Traditionally observed on January 6, it commemorates the visit of the Wise Men in Bethlehem, celebrating the moment Jesus is revealed to the world. Across many cultures, the day is marked with festive customs, special foods, and local celebrations that reflect its message of revelation and unity. Here in Italy, the children get their presents from the Befana, a friendly old woman depicted as a witch. Befana also marks the end of the Christmas season. And for Genoa, this is the last day the Christmas lights are turned on in the evening. Traditionally, The Significant Other and I spend the first week of the new year in our Southern Home at the Ligurian Sea. And over the past days we have enjoyed strolling through the medieval city center and the harbor, enjoying the decorations. Join us for some impressions of the Genoa Christmas Lights….
What is the best way for the street photographer when the summer in the city gets too intense? Right, then it is the time for some high contrast monochrome photography. The monumental circular bronze fountain in Genoa’s Piazza de Ferrari, built in 1936 by the architect Cesare Crosa di Vergagni and donated by the Piaggio family, provides the perfect background. To see more images taken on this beautiful Piazza in the heart of Genoa, continue after the jump…
I have always admired photographers that have managed to capture a plane flying across the moon. And always dreamed about one day doing it myself. And then, as most often in life, things just happen. The Significant Other and I were sitting on the balcony of our Southern Home, enjoying dinner and the moon rise over the roofs, towers and domes of Genoa. The admittedly not completely full but rather large disc of the moon was rising quickly into the sky.
I had the Nikon Zf out with the Nikkor 24-200/4-6.3 attached to capture some close ups of the moon behind the historic skyline. Then, a bit later, the evening flight from Munich was coming in, also from behind the city, flying along the shoreline for landing at Cristoforo Colombo Airport. And I thought….this might just work out. And so it did. I squeezed off two shots, and the first one nailed it. Fly me to the moon….
As the saying goes…luck is when opportunity meets preparation. Although I nearly screwed up. As I should have switched the camera to burst mode, but completely forgot to thing about in this moment. Maybe because the Nikon has no lag at all and I completely trust that I can nail the exact moment. In my second shot, the plane was already half out of the moon.
I took the shot handheld, image specs 1/400 sec @ f6/3, ISO 500, 200mm focal length and -1 exposure compensation, retaining details in the moon surface. The image above is heavily cropped in. Postprocessing in Photoshop and Lightroom Classic.
Pasticceria Klainguti in Genoa has recently reopened after a long renovation. It is a historic pastry shop in Piazza di Soziglia in Genoa’s Centro Storico. The founders were four brothers — Giuseppe, Gioacchino, Adolfo, and Agostino Klainguti — who came from Pontresina, a town in the Grisons (Graubünden) canton of Switzerland.
They originally traveled to Genoa in 1826 with plans to sail to America, but instead decided to stay and open a pastry shop. In 1828, they founded Pasticceria Klainguti, which quickly became popular in the city. The shop is known for its traditional sweets and long history in the old city center.
I loved the warm lights from inside the shop. In the window, you can see The Significant Other selecting a few sweets we took home. The passing people invited for a street photo, the red outfit of the passing pedestrian harmonizing with the yellow of the shop’s lights.
Taken with my Nikon Zf with the vintage Russian Zenit Helios 44-2 58mm f/2 manual prime lens. Image specs 1/400 secs @ f/5.6, ISO 3600. Post-Processing in Lightroom Classic
During last week’s stay in our “southern home” in Genoa, The Significant Other and I grabbed the opportunity to visit the World Press Photo Exhibition 2025 at Palazzo Ducale in Genoa. A hefty thunderstorm was passing through the city, so we gladly took the opportunity to spend some time indoors and explore this annual iconic photographic display. The exhibition was set up in the basement of the historic palace—once the seat of the Doges of the Republic of Genoa. To see more of it, continue after the jump…
Sometimes a street image demands color. Like this one, taken in Genoa’s medieval old town near the Genova Piazza Principe railway station. The warm glow from inside the shop juxtaposes perfectly with the dark street and the bold statement on the wall that translates to “Bite the State”. The color contrast captures the mood of the image, the contrast between public dissent and tranquil private life on a quite late evening. The warm light inside feels safe and calm, very different from the dark and gritty street outside. Things like the tilted street sign, worn walls, and wet pavement suggest a place that’s been a bit forgotten or ignored. A scene that I saw and immediately felt drawn to capturing it.
Images specs are 1/60 sec @ f/2 and ISO 500. I took the photograph with the Nikon Zf and the Nikkor Z 40mm f/2. Postprocessing in Lightroom Classic (increasing the contrast and adding a vignette).
If you are looking for more tips and inspirations around street photography tips, check out my free “Learning Center”.
Are you kidding me? Eating a frosty ice cream on a cold and rainy day? Not for me, anyway! Spending the last week in our Southern Home in Genoa, The Significant Other and I were not blessed with the sunny and warm Spring weather you would expect from Italy. In fact, back in Nuremberg the weather was great all week with summer like temperatures.
Despite the wet weather, we headed into town a few times to run errands and treat ourselves to some great food. Having taken the Nikon Zf with me, I captured this mother and her kids enjoying some Italian ice cream, albeit a frosty one. Maybe they were visitors coming to town from one of the Cruise ships in the harbor. And felt they had to do it. At least they provided an awesome street photo subject, matching perfectly the image visible behind their backs. Quoting Shakespeare once again: “All the world’s a stage, and all the men and women, merely players”
Tonight, we will return to the Streets of Nuremberg to celebrate Easter with the family.
If you are looking for tips and inspirations around street photography, head to my free Learning Center.
There is more from the last weekend’s visit to Genoa’s Museum of Natural History. In my last post I have mentioned juxtaposition as compositional element. Now how about this juxtaposition? This white tiger was by far the largest tiger I ever saw, dead or alive. Crazy big. The card in the display said the animal died in 1758 in a Circus, was subsequently stuffed and eventually ended up in the museum for everyone to simply admire. The Tiger was huge by my standards. How must that little girl feel looking up to this white giant?
A street photographer can apply many compositional elements to the images to generate a viewers interest. Leading lines guide the eye through the image, creating a sense of depth and direction. The rule of thirds divides the frame into a grid, helping to position subjects in a way that feels balanced and engaging. And, like in this example, Juxtaposition places contrasting subjects or elements side by side to create visual tension or highlight differences. Like the white giant and the little girl.
Taken with my Nikon ZF and the Nikkor Z 40mm 1:2 SE, image specs 1/125 sec @ f/5.6 and ISO 6400, 40mm focal length. Jpg out of camera using the Zf’s default black & white mode that can be quick-selected by a dial on top of the camera.
If you are looking for more tips and inspirations around street photography, check out my free Learning Center.
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