Street | Urban | Travel | Photography by Marcus Puschmann
Street Photography is also about capturing juxtapositions. Like a girl having too many legs. I snapped this image with my iPhone 14 Pro one the steps of San Lorenzo Cathedral in Genoa. Click “read more” to see it from your slightly different angle.
Continue reading “Too many legs”
More monochrome photography in this post. Taken yesterday on a stormy highway while enroute to our Southern Home in Italy. No worries, I didn’t drive under the influence (of photography). Our e-car was driving autonomous on the highway in Southern Bavaria, supervised by Big Boy sitting behind the wheel. While I was snapping at the amazing cloudscape with ever-changing light with my iPhone 16 Pro Max from the passenger seat. To see more images of this photographic road trip continue after the jump….
Continue reading “Stormy Highway”
There’s something truly special about black and white photography. For me, it’s more than just removing color; it’s about stripping away distractions and getting right to the heart of what makes an image compelling. It’s about reducing the scene to its purest form: composition. Serenity in Shades of Gray.
Take this shot, for instance, captured in the Ligurian Apennines, northwest of Genoa. The moment I saw these majestic trees silhouetted against the misty mountains, I knew it had to be black and white. The layers of hills fading into the distance, the stark outlines of the pines – it all just sings in monochrome.
When I shoot in black and white, the entire process becomes a tranquil enjoyment. It forces me to see shapes, lines, and textures in a different way. The absence of color simplifies everything, allowing the eye to focus solely on the interplay of light and shadow, and the arrangement of elements within the frame. It’s photography reduced to a minimum, and in that simplicity, I find immense satisfaction.
This image, with its quiet strength and layered depth, perfectly embodies that feeling for me. It’s a reminder that sometimes, less truly is more, and that beauty can be found in the most understated of palettes.
What are your thoughts on black and white photography? Do you find it as calming and focused as I do? Let me know in the comments below!
Image taken with a Fuji X-T50 and the Fujinon Super EBC XC 1:2.8-4.8/16-50mm R LM WR. Image specs 1/3200 sec @ f/7.1, ISO 250 and 31mm focal lenght (full frame equivalent). Acros Film Simulation – jpg out of camera.
Have a great Thursday
Marcus
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Instant Inspiration (3) – Silhouettes
The Lion never sleeps. Neither does his marble companion on the other side of the grand stairs leading up to Genoa’s San Lorenzo Cathedral. The silent sentinel just lies there, watching the threshold and people come and go. Somehow it also feels welcoming, inviting passersby to lean against it or climb up and sit for a moment. My kids did exact that when they were little, turning the ancient guardian into a temporary playground companion. The pedestal beneath the beast is hardly empty. There seems to be always someone sitting there, resting, watching other people or, like in this case, checking whatever on the cell phone.
I took the image with my Nikon Zf and the Nikkor Z 24-200mm f/4-6.3 VR. Specs are 1/160 sec @ f/6 , ISO 400 and 60mm focal length. Monochrome jpg out of camera.
Have a great Friday
Marcus
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Street Photography Quick Tip 1 – A way to shoot inconspicuously
This young couple obviously didn’t mind stepping out into the rain after leaving the Madrid Metro at Gran Via Station in the city center. It was really rainy, the long weekend that Big Boy and I did spend in Spain’s capital on the occasion of attending the Madrid Game of the NFL’s international series at Bernabéu Stadium. While carrying my Fuji X-T2 in my backpack most of the time, I ended up shooting the whole weekend with my iPhone 16 Pro Max only. Which is perfectly capable of handling my street photography. In this scene, I took three shots of the couple as they left the Metro. The third image was the keeper, with the girl smiling in the rain.
Postprocessing in Lightroom Classic.
Have a great Sunday
Marcus
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Street Photography Quick Tip 16 – Capture what captures attention
A scene from a wet and chilly night on the streets of Madrid. A young couple seated in front of the Catedral de Santa María la Real de la Almudena, across from the Royal Palace. Leaning into each other, enjoying a moment of shared silence while the city moved around them. I don’t know what they were looking at on that phone. Maybe a photo of a friend. Maybe a message, or a train schedule, or nothing important at all. But in that frozen instant, the world outside stopped mattering.
This is the kind of thing I’m always on the hunt for with my Street Photography. Not grandeur, not drama, but the gentle realities we walk by every day. Snapped with my iPhone 16 Pro Max. Postprocessing in Lightroom Classic.
If you are looking for tips and inspirations around street photography, check out my free “Learning Center.”
Have a great Saturday
Marcus
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The Significant Other and I took the metro train into town today, heading to the Humbold Forum in the center of Berlin. The first photo I took on this week’s trip to our Nation’s capital. I just love the striped hoodie and its reflection in the train’s window. I shot this image from the hip using zone focusing on my Nikon Zf. Easy to do as I had a manual M42 mount lens attached via an adapter, the roughly 60 year old Carl Zeiss Jena Flektogon 2.8/35. Image specs 1/400 sec @ f/4 with ISO 1400. Setting an f/4 aperture, the aperture/range markings on top of the Flektogon told me that the guy staring into his cell phone had to be in focus. Post-processing in Lightroom Classic.
Have a great Sunday
Marcus
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Sunday Walk with a Vintage Lens
Street Photography Quick Tip 1 – A way to shoot inconspicuously
Caught this gem while walking past a diner window. There he was, mid-bite, mid-thought. A bearded man in a hoodie, sitting solo with a bowl of what looked like healthy regret (possibly lentils?), frozen in the decisive moment. Flashing me the universal gesture for “I Dunno, Man” or more likely “I have no idea what’s going on.”
His eyes locked with mine through the glass, and he gave me the shrug, palms up, eyebrows raised, expression halfway between confusion and enlightenment. It’s the face of a man who just found out the Wi-Fi password is “password123.” As if the universe just asked him to explain crypto.
Behind him, the city lights blur into a soft bokeh, the kind only a prime lens and a dirty window can truly deliver. The reflections in the window only add to the chaotic magic, making him look like he’s pondering life in two dimensions.
Judging by his face, he was okay me taking his photograph. This, friends, is the candid gold we street photographers live for. Pure, unscripted “what even is this?” energy.
Street photography at its finest: awkward, honest, and strangely profound. 10/10 candid confusion. Would photograph this again. And again.
If you are looking for more inspirations around street photography tips, check out my free “Learning Center”.
Have a great Sunday
Marcus
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Street Photography Quick Tip 8 – Capturing Gesture
Street Photography Quick Tip 15 – Get close for more intense street portraits
During last week’s stay in our “southern home” in Genoa, The Significant Other and I grabbed the opportunity to visit the World Press Photo Exhibition 2025 at Palazzo Ducale in Genoa. A hefty thunderstorm was passing through the city, so we gladly took the opportunity to spend some time indoors and explore this annual iconic photographic display. The exhibition was set up in the basement of the historic palace—once the seat of the Doges of the Republic of Genoa. To see more of it, continue after the jump…
Continue reading “World Press Photo Exhibition 2025”
Visiting my archives looking for a particular image from my time in the PNW, I stumbled upon this street photo I took during a weekend stroll through the Pearl District of the Rose City. Titled “Call me”, it is one of my favorite street shots from that year. Originally in color and portrait orientation, I decided to convert it to B&W, crop in and turning it to a landscape aspect ratio.
Doesn’t it look like a scene straight out of Francis Ford Coppola movie? Two sharply dressed men meet in on a quiet city street. The younger man, holding a vape and signaling a phone call, looking nervous. The older man, calm and steady with a cane, listening closely, his eyes hidden behind dark glasses. Whatever they discussed, it was serious—like something best kept off the record. The photograph certainly has a kind of cinematic look. To this day I wonder what those gentlemen were discussing. The gesture is clear, isn’t it? One of those fascinating stories of the streets that wait to be captured by the passing street photographer.
Taken with my Olympus E-M1 and the mZuiko 12-100mm F/4 pro zoom. Image specs 1/200 sec @ f/4, ISO 250 and 172mm focal length in full frame equivalent. Post-processing in Lightroom Classic.
Have a great Sunday
Marcus
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Are you kidding me? Eating a frosty ice cream on a cold and rainy day? Not for me, anyway! Spending the last week in our Southern Home in Genoa, The Significant Other and I were not blessed with the sunny and warm Spring weather you would expect from Italy. In fact, back in Nuremberg the weather was great all week with summer like temperatures.
Despite the wet weather, we headed into town a few times to run errands and treat ourselves to some great food. Having taken the Nikon Zf with me, I captured this mother and her kids enjoying some Italian ice cream, albeit a frosty one. Maybe they were visitors coming to town from one of the Cruise ships in the harbor. And felt they had to do it. At least they provided an awesome street photo subject, matching perfectly the image visible behind their backs. Quoting Shakespeare once again: “All the world’s a stage, and all the men and women, merely players”
Tonight, we will return to the Streets of Nuremberg to celebrate Easter with the family.
If you are looking for tips and inspirations around street photography, head to my free Learning Center.
Have a great day Saturday
Marcus
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Photography literally means „drawing with light“. The sun is the principal lightsource out in the streets. But unlike a studio lightstand, you can‘t move the sun around to direct the light to where you want/need it. Obviously there are some workarounds, like using a reflector to throw back the light on the subject and brighten up the shadows. But in street photography, this is not practical and we need to shoot with what the sun gives us.
In this example, I was drawn to the weathered face of the man sitting behind the window of a coffee shop. The way he was sitting, the sunlight illuminated the back and the side of his head, but not his face, that was all in the shade. For one, standing outside in the streets, I couldn‘t direct my subject to turn his face in a way that would have, lets say, created a nice Rembrandt lighting effect (a triangle of light underneath the eye on the shadow side of his face).
But on the other hand I loved the textures in his hair and beard that the harsh sunlight created. And I knew that a conversion to monochrome would really bring out the lights and shadows of this scene and still show the traces of life in his face. So despite the lighting being not ideal, I still took the portrait shot with which I‘m quite happy the way it turned out.
If you are looking for more street photography tips, check out my free “Learning Center”.
Wish you a great Monday!
Marcus
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Street Photography Below Street Level
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