From a distance

Two elderly ladies talking through a window
1/30 sec | f/5.6 | ISO 125 | 85mm

With the third Covid wave rolling with full force through Germany, we are now facing a socially distanced Easter holiday. It’s been more than a year since the pandemic started. A year of failed promises from the countries leadership. People are worn out, it is visible everywhere. We are all in need of closeness, being able to able to physically embrace our friends when we see them. You remember the times when complete strangers stood in our pedestrian zones holding up signs offering free hugs? Instead we now only talk from a distance. But what is the photographic lessons learnt?

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Anyone home?

Woman standing in open house door telephoning
1/125 sec | f/5.6 | ISO 250 | 72mm

Anyone home? This would be the title to this street photograph. But it also would have been the right question to ask the “Streets of Nuremberg” in the past weeks, the last post already dating back to the end of February. No worries! I’m still here, alive and kicking (as much as the Covid restrictions allow).

I simply took a break from blogging. I needed it, after five years of continuous content creation. But now it’s time to be back and continue to share my photographic ventures. Will need a few days to answer all comments and catch up with all of your blogs. I hope that you all got through these pandemic time unscathed.

Have a great Tuesday!

Marcus

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Contact Sheet (1)

Boys skating im front of Estonian Liberty Monument
1/320 sec – f/7.1 – ISO 640 – 25mm

During our recent visit to the Estonian capital Tallinn we also passed across Freedom Square, which features the Cross of Liberty and the Monument to the War of Independence. The 23.5 meters tall pillar made of 143 glass plates commemorates all those who have for freedom in the Estonian war of independence. While nothing particularly spectacular, it was still worth a documentary shot to be part of my Tallinn travel photos. Let me show you the contact sheet with my shots of Freedom Square.

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Shoot against the sun

Street portrait of a red haired girl backlit by the setting sun
1/200 sec – f/4 – ISO 1600 – 100mm

I’m sure you have witnessed those situations, where people wanting to take a portrait of someone else place their subject to have the sun shining directly onto them. Because it looks nice. Objects look sharp, crisp and colorful when the sun shines on them. That’s definitely valid for landscapes, buildings and stationary things. It’s less favorable for human beings. Because they tend to squint when facing the sun, and you get unfavorable shadows in their eye sockets, especially when the sun is high.

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Behind the glass

Banker sitting in a bank working
1/30 sec – f/4 – ISO 1600 – 100mm

While roaming the streets of a city shooting street life, it is worth also looking at what’s happening behind the glass of shops and businesses. Especially when you are new to street photography, this unobtrusive way of taking pictures of strangers might be a good way to slowly extend your comfort zone, as your subjects tend not to notice you.

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Street Photography Quick Tip (17)

Street Portrait of a bearded old man
1/400 sec – f/5 – ISO 200 – 100mm


Street Photography Quick Tip 17 – Shoot with what the sun gives you

My Street Photography Quick Tips are short, easy to read and easy to use tips that I think could help you while shooting in the streets.

Photography literally means „drawing with light“. The sun is the principal lightsource out in the streets. But unlike a studio lightstand, you can‘t move the sun around to direct the light to where you want/need it. Obviously there are some workarounds, like using a reflector to throw back the light on the subject and brighten up the shadows. But in street photography, this is not practical and we need to shoot with what the sun gives us.

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