The other weekend, The Significant Other and I spent an afternoon in Celle Ligure, a picturesque little town a few kilometers west of our Southern Home in Genoa. In March, we are still a few weeks removed from start of the swimming season. Now, Celle’s beach is still a quiet stretch of shoreline, where the world seems to pause between sky and sea. I was intrigued by the two figures sit at the edge, somehow dwarfed by the vast horizon, sharing a moment that feels both intimate and infinite. Street Photography can be very calm and minimalistic.
Taking with my iPhone 14 Pro. Slight cropping in Lightroom Classic. If you are looking for tips and inspirations around street photography, check out my free Learning Center.
The Lion never sleeps. Neither does his marble companion on the other side of the grand stairs leading up to Genoa’s San Lorenzo Cathedral. The silent sentinel just lies there, watching the threshold and people come and go. Somehow it also feels welcoming, inviting passersby to lean against it or climb up and sit for a moment. My kids did exact that when they were little, turning the ancient guardian into a temporary playground companion. The pedestal beneath the beast is hardly empty. There seems to be always someone sitting there, resting, watching other people or, like in this case, checking whatever on the cell phone.
I took the image with my Nikon Zf and the Nikkor Z 24-200mm f/4-6.3 VR. Specs are 1/160 sec @ f/6 , ISO 400 and 60mm focal length. Monochrome jpg out of camera.
There is nothing to worry about – the young talents are already roaming the streets. I captured this image of a next gen photographer the other day on the streets of Genoa.
The photograph was taken with my Nikon Zf and the Nikkor Z 24-200mm f/4-6.3 VR. Specs are 1/400 sec @ f/6.3 , ISO 450 and 200mm focal length. Jpg out of camera.
“Uzbekistan explored – People of Khiva” is the first in a series of blogposts about our recent journey through beautiful Uzbekistan. Uzbekistan is an amazing place for street photography, the people super friendly and open to be photographed. Continue after the jump to see more street images from Khiva, our first destination in Uzbekistan.
Uzbekistan is not only colorful. It super friendly to the traveling street photographer. I‘ve never visited a country before where people are so easygoing about being photographed. They see a camera directed their way, they generally flash a smile! The Significant Other (the iPhone shooter) even observed, the bigger the camera the easier they agree to a photo. So photographing the bride and her friend during a quiet moment on her big day’s wedding photography session near Samarkand‘s Registan Square was easy. When the friend saw me aiming the Nikon, she started smiling. Amazing!
I took the photograph with my Nikon Zf and the Nikkor Z 24-200mm f/4-6.3 VR. Image specs 1/400 sec @ f/6.3, ISO 180 and 190 mm focal lenght. Jpg straight out of camera, no postprocessing.
Have I mentioned what a fantastic monochrome camera the Nikon Zf is? Even with a budget travelzoom attached.
Life is colorful in Uzbekistan. That‘s were we are since last weekend. The Significant Other and I are touring the magical cities of the historic Silk Road. After starting off in Tashkent, we continued on to Chiwa, then Buchara, and arrived today in Samarkand. Uzbekistan is a great place for photography. Colorful, vibrant, full of historic places. And especially great place for street photography. The locals are super friendly, generally smile when you signal you want to take a picture and many want to talk to you. They are curious to talk to you, living in a country that has just started to open up to tourism.
The cities, all of them more than two thousand years old, are full of life, especially at night, when the temperatures drop to comfortable levels. The two girls holding the balloons are standing in front of the Mir-Arab Madrasa of Buchara, an active university founded and built in the 16th century. The buidling is part of the Poi Kaylan complex, which is a UNESCO World Heritage Site. I will share photos from this achitectural marvel in a later post.
I took the photograph with my Nikon Zf and the Nikkor 40mm f/2. Image specs 1/50 sec @ f/8, ISO 6400 and 40mm focal lenght. Jpg straight out of camera, no postprocessing.
Sometimes a street image demands color. Like this one, taken in Genoa’s medieval old town near the Genova Piazza Principe railway station. The warm glow from inside the shop juxtaposes perfectly with the dark street and the bold statement on the wall that translates to “Bite the State”. The color contrast captures the mood of the image, the contrast between public dissent and tranquil private life on a quite late evening. The warm light inside feels safe and calm, very different from the dark and gritty street outside. Things like the tilted street sign, worn walls, and wet pavement suggest a place that’s been a bit forgotten or ignored. A scene that I saw and immediately felt drawn to capturing it.
Images specs are 1/60 sec @ f/2 and ISO 500. I took the photograph with the Nikon Zf and the Nikkor Z 40mm f/2. Postprocessing in Lightroom Classic (increasing the contrast and adding a vignette).
If you are looking for more tips and inspirations around street photography tips, check out my free “Learning Center”.
Are you kidding me? Eating a frosty ice cream on a cold and rainy day? Not for me, anyway! Spending the last week in our Southern Home in Genoa, The Significant Other and I were not blessed with the sunny and warm Spring weather you would expect from Italy. In fact, back in Nuremberg the weather was great all week with summer like temperatures.
Despite the wet weather, we headed into town a few times to run errands and treat ourselves to some great food. Having taken the Nikon Zf with me, I captured this mother and her kids enjoying some Italian ice cream, albeit a frosty one. Maybe they were visitors coming to town from one of the Cruise ships in the harbor. And felt they had to do it. At least they provided an awesome street photo subject, matching perfectly the image visible behind their backs. Quoting Shakespeare once again: “All the world’s a stage, and all the men and women, merely players”
Tonight, we will return to the Streets of Nuremberg to celebrate Easter with the family.
If you are looking for tips and inspirations around street photography, head to my free Learning Center.
The world’s a stage…. you know I write about this a lot in the context of street photography. To find a background and waiting for a matching subject to appear. And if you are lucky, like in this candid street shot, it turns out to be almost something like human camouflage.
This would also fall under the compositional technique Juxtaposition. With Juxtaposition you bring together two or more objects in a photograph that attract the viewer of the image either through their similarity or their contrast. In each case, the photograph works because these elements combine to a joint visual story that the image carries in addition to the visual weight of the individual objects.
You can find Juxtapositions everywhere. You will be amazed how much you discover when you actively look for them. So next time to suffer from photographers block and want to try something new to overcome it go out and shoot a series of Juxtapositions. The more you train your eye to see them the more you can use them as an effective element in your photography.
For all my inspirations as well as my easy to use Street Photography Quick Tips, check out my free Learning Center
Sometimes it is worth going back in the Lightroom Library and re-visiting old street images. In this case from my Around The World Trip back in 2017. I came across this photo from a barefoot girl in a white dress wearing a gas mask. Singing in the streets of Tokyo. Back then I thought this apocalyptic masquerade was a bit over the top, even though she was singing great. I remember thinking “wow – what a voice”. Looking at the political turmoil shaking our world in these days, this street photograph from 8 years ago is kind of symbolic – Apocalypse Wow. And a certain similarity with Francis Ford Coppola’s famous movie with almost the same name.
Diving back into my old image archives feels like flipping through the pages of a forgotten book. Rediscovering moments I once captured but never truly appreciated. Sometimes, a fresh perspective or newly honed editing skills breathe new life into those hidden gems.
What once seemed like an average shot now reveals a composition or emotion I previously overlooked. And then there’s that deeply satisfying moment when I stumble upon an old frame that suddenly clicks with me in a way it never did before—like the image was just waiting for the right time and mindset to be brought to life. Like this of the apocalyptic street musician in Tokyo.
Taken with my Olympus PEN-F and the mZuiko 12mm F/2 prime lens (24mm full frame equivalent). Image specs 1/60 sec @ f/2 and ISO 800.
If you are looking for tips and inspiration around street photography, check out my free Learning Center.
Ok – this is not the prettiest of street photographs. But it shows a couple of things from putting my new baby, the Nikon Zf, through some initial tests on the streets of Genoa. The 24.5-megapixel full-frame BSI CMOS sensor combined with the EXPEED 7 image processor produces awesome results, delivering beautifully rendered images with a high dynamic range.
The autofocus of the Nikon Zf is a true champion
But what an autofocus the Zf has. It was already getting dark in the alleys of Genoa’s Old Town. I dialed in ISO 6400 (which produces absolutely usable images with little noise) and the max aperture of f/2 to shoot wide open. This resulted in a shutter speed of 1/8000 sec, enough to freeze any action.
I dialed in wide-area autofocus with eye/face detection. It totally amazed me how easily the camera picked out the faces of oncoming people and nailed the focus on their eyes. I walked towards the also quite fast walking oncoming ladies and pressed the shutter. E voilà, a sharp image. The Leica SL2-S could never ever have done this.
I took this street photograph with my Nikon Zf and the Nikkor Z 40mm 1:2 SE. It is a jpg out of the camera using the Zf’s default black & white mode. I could quick-select this mode by turning a dial on top of the camera. This is another awesome feature of this amazing camera. Stay tuned for more feature reviews as I continue to discover and learn my new camera.
So far, I can only rave about the Zf and say that I’m truly glad I replaced the Leica SL2-S with the Nikon. I’m also amazed at how superior the Nikon is compared to the much more expensive “high-end” Leica. Especially, the autofocus simply blows the SL2-S away. I have found my perfect street photography camera.
If you are looking for tips and inspiration around street photography, check out my free Learning Center.
We are living in a crazy world. There are plenty of things around us that cause anxiety. But at least we all should do the things we can do to make things better, safeguard democracy and keep the planet afloat for our children and future generations. Like casting our votes in general elections. It won’t help to stick our heads into the sand. Germany is voting today. Let’s keep the faith that everyone has realized what’s on the plate.
This is the first street photo I have taken with my new Nikon ZF and the Nikkor Z 40mm 1:2 SE on a walk through Genoa’s historic center yesterday. It is a jpg straight out of camera, only some cropping in Lightroom Classic. Images specs 1/1250 sec @ f/4 and ISO 6400, 40mm focal length. I love my new camera more every day!
If you feel like picking up your camera (or smartphone) for a Sunday walk and are looking for tips and inspirations around street photography, check out my free Learning Center.
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